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LOST WORLDS CLASSIC HORSEHIDE LEATHER MOTORCYCLE JACKETS
RUGGED OUTDOOR WEAR
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On this site we mention
"collectors" from time to time, because that's where we first came from (ages ago). One
tenet of the "collector mentality" is important to what we do -- many
things that used to be are better than many things that are. This may surprise
those who think technology always a step forward. Yet, conversely, not all things in the
past are better of course. And that's where LOST WORLDS comes in.
We're most
gratified when someone who doesn't collect experiences LOST WORLDS gear -- the
vast majority of our customers -- someone who just craves an amazing American leather jacket or rides devotedly
and needs one. There are still discriminating guys who appreciate and understand quality
and care of artisan caliber, made in USA by craftsmen of extraordinary
skills. These customers give us greater satisfaction, coming without presuppositions -- only with appropriate wariness and suspicion,
for who among us hasn't been burned by spurious marketing claims and
lies? The Internet facilitates rip-offs. (This website has been pillaged
by copycat mfgs. and eBay frauds for years.)
Throughout our web site we introduce matters of history, materials, tradition and
manufacturing -- against the background of the now dinosaur status of American
masculinity, rendered toothless by the brainwashing of political correctness.
Family, education and a debased, bottom feeding culture no longer impart values. Quality, workmanship and attention to function
and detail in clothing -- and the knowledge of such -- were infinitely more important in the past than now. The reasons, myriad, and placed in current perspective, depressing. Briefly, from the Great
Depression until the 1960s people were grateful for employment and self-motivated to do a good job.
Employment was a privilege. Now it's a right -- and we have Homer Simpson at the
Springfield Nuclear Plant -- D'oh! With passive middle class surrender to
and empowerment of the deadbeat and un-American ... the listless, anomic,
unshaven, sandaled
slacker, life's perpetual spine-challenged noodle. The bubble baby victim of
absent parenting, tradition, values.
Back to sanity -- first and second generation Americans of
European extraction principally constituted the old garment work force, working
for factory owners of shared cultural and religious backgrounds with common goals, experiences and
values. By
necessity having often made and mended their own clothing, workers routinely applied this
expertise. Back then every mom sewed. Fashion was the concern of
the small rich elite
fanatically followed in movies and newspapers. Daddy Warbucks, Woolworth
heiress Barbara Hutton ("The Poor Little Rich Girl"), the headline hunters,
Hollywood "royalty." Real America sought durability; one couldn't easily afford to replace worn or
damaged clothing until the two decades of runaway prosperity following the end
of WWII. Quality was a given,
not, as today, the rarest exception. The old class system, so despised by current victim
culture, at least provided upward goals. Now the middle and lower classes share
the same nosebleed-inducing cultural rung, defined by accumulation and vulgarity.
Specialist apparel like
leather motorcycle and rugged wear was made to do things in, not as the fashion and rebel-without-a-clue (to quote Tom
Petty) image it later became. Original motorcycle and outdoor clothing was
functional, overbuilt and necessary. The tide began turning
with THE WILD ONE (1954) with Marlon Brando -- the popular culture
watershed first to connect motorcycle gear to postwar disenchantment and
rebellion.
Compare, similarly, old and
new denim jeans -- in the 1950s the concept of pre-washed, pre-broken in jeans
would've been ludicrous, outside the mindset. Remnants of the old
pioneer ethic, though fast disappearing, still resounded, if faintly: you broke in work
clothing like your forebears had broken horses and soil. Jeans were still
work clothing. But when people ceased to make and grow things and began service
economy jobs, they adopted, as psychological compensation, jeans as the middle
class uniform, as if unconsciously to assert a link to the soil (and nuclear war
fear totem?).
The middle class "Back to Nature" hypocrisy of the late 1960s is an
extension of this mindset.
A kind of suicidal infantilism
has mortally stricken America: now everything must be pre-chewed, pre-washed. (In
the same way, politically correct language is sanitized pre-thought, viz. the identical descriptions of Raymond Shaw by the brainwashed GIs in
The Manchurian Candidate (1962).) We recoil when we see someone on an
expensive Harley or restored Indian in some pre-distressed, baby soft,
logo-driven alleged
motorcycle jacket. The image HD covets? Nope, the $$$. Like pre-aged Gibson Les
Paul guitars for the wannabe legions. Lord! But babies need strained food.
Behold
LOST WORLDS
jackets -- unaged, tough as nails, uncompromising, routinely protecting riders from serious injury.
Our testimonials from those forced under duress to test our claims
are astonishing and fill us with pride. A flimsy (and
often not inexpensive) import or wannabe keep you in one piece? Right, call us from the ER,
if your arms work, unless the sacred logo's protected you -- the scarab of
uninformed (yet uniform) materialism! America today is
sickeningly about image -- and the ability to afford an image, a label -- rather than
substance. Life-As-Acting-Class -- a definition of current America. Carapace
Culture.
We digress (again). The classic
jackets we recreate are royally superior in design, materials and
construction. Arising from a lost world where vacuous Attitude didn't rule, where Men still
walked the earth, their purposefulness, expressed in functional detail and
faultless craft, jumps out at you. They're heavy, demand attention, a little
breaking-in to show who's boss. They demand respect, but not kid gloves, quite
the opposite. They express a truth, an honesty, not a fashion flavor choice
for brain-dead clone masses which put on different egos according to the
day of the week.
(Yet which are, scarily,
all the same ego, expressed in the repugnant "Have a nice day!" Consider how in current parlance "nice" replaces
"good." Good is a a judgment word -- remember, don't
judge.)
With forceful, no-nonsense,
no-frill honesty the old motorcycle, flight and rugged outerwear is,
unsurprisingly, extraordinary looking, originating before the hype,
commercialization, ruin, before the accountants. Authenticity -- the
criterion of value and of beauty too. In things and people. Value and beauty are
interchangeable. The inauthentic has no value. (Didn't Keats write, "Truth is beauty,
beauty truth...."?) And the inauthentic is, as usual, the
majority. Scary. Deadly. But true. The new Holy Trinity for the masses:
breed, eat, defecate.
LOST WORLDS jackets are technically reproductions but more accurately
offspring of The Great Tradition. Not dry, academic fossil recreations of
interest to but a few. Instead, rediscoveries, excavated Troys, of exciting,
vibrant 100% American, individualistic designs of matchless art, spirit and beauty, absolutely
unrelated to what's out there masquerading as quality behind hyped
fashion labels and invented designers, some of whom are even given wives and
families for image (like, in another sickening context, the late, unlamented
Chairman,
many say Chairwoman, Arafat).
American marketing preaches
sameness and uniformity as desirable -- the opposite of the LOST WORLDS
philosophy. If everyone's the same, unoriginal, everyone wants the same crap.
The imagination-killing myth of "equality." Who ever wanted to grow up to
be a Xerox when he was a little kid? Now, most. Equal is the most
insidiously totalitarian word there is, substituting quantity for quality. It's
so much easier to oppress and slaughter people if just numbers ("You're one of
THEM, not one of US."). True quality is unique, incalculable. People of quality
are unequal, rather single gems incapable of duplication. They indicate the richness,
variety, not sameness.
Our products aren't "the same things."
They're not for those who value quantity over quality. They arise from the
heart, not calculator. They provoke reaction. They inspire devotion. They link
to important moments. They widen the boundaries of one's self, experience and knowledge.
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MOTORCYCLE JACKETS: A Century
of Leather Design
by RIN TANAKA
Schiffer Publishing ©2000
We highly
recommend this wonderful history of Classic Motorcycle Jackets by Rin
Tanaka. Filled with photos of rare Jackets. LOST WORLDS is honored to be
featured in this book, and if you're interested in the background of our
Jackets, grab it!
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